![]() ![]() ![]() Occupational growth (when new positions are created).Employment turnover (when people leave existing positions).Learn how these factors can affect your career decisions. Some lighting designers teach in universities or college programs.Įmployment outlook is influenced by a wide variety of factors. ![]() Advancement generally takes the form of more demanding assignments. Graduates of design programs usually start as lighting designers for smaller theatres or as assistant designers in larger theatres. Volunteering to work for community amateur theatre companies or cable television stations provides valuable practice for lighting designers who are trying to gain experience in the field. Some worksites may require union membership to participate. Therefore, aspiring lighting designers must develop a portfolio to market their work. Some theatre companies and film studios employ resident designers, but most lighting designers freelance and negotiate contracts for specific projects. Often, these virtual sets must carefully match lighting used in real sets, in order to achieve a seamless blend of digital and real objects when combined. They work with digital sets and develop virtual lighting plots much the same as real-world lighting, in order to create the proper visual environment for the virtual set. ![]() Lighting designers are also used in virtual gaming and digital rendering. They also may support other production departments by providing electrical power as needed. In such positions, they may work with the director of photography and be responsible for lighting equipment purchases or rentals to meet the needs of production. These designers are responsible for assigning tasks and responsibilities. Some lighting designers may lead a team of lighting department personnel. For more information, see the Lighting Technician occupational profile. In smaller theatres, the lighting designer also may program and run the lighting board for a production. In some theatres, a single designer may be responsible for lighting, set design and costume design. Attend technical and dress rehearsals to supervise the lighting and make changes as needed.Supervise the placement, intensity and focusing of lighting instruments.Consult with the director and other designers to develop design concepts, and create lighting plots, schedules and equipment lists.Read the script and attend meetings or rehearsals to see how the stage, set or acting area will be used.They must also complement special effects, set design, makeup and costumes.ĭuties and responsibilities vary from one type of production to another but, in general, lighting designers: They must account for the visibility of performers and the mood of each scene. They must consider the size, shape and technical capacity of the theatre or performance space. They create light scenarios (called plots) and sequence lighting cues. Those above represent a sample from various drama schools and universities.Lighting designers consult with directors and other designers to define a stylistic approach to lighting for each production. MA Design (Lighting) – Edinburgh Napier University Click Here.BSc (Hons) Lighting Design & Technology – University of South Wales Click Here.Lighting Design – Royal Academy of Dramatic Art Click Here.BA (Hons) Lighting Design – Rose Bruford College Click Here.BA (Hons) Theatre Practice – Theatre Lighting Design – Central School of Speech and Drama Click Here.Student and fringe theatre also offer good opportunities to develop skills and establish industry contacts. Work placements in theatres are a good way into the profession. Instead they learn on-the-job by working as Lighting Technicians, operating lighting equipment and programming lighting desks, and learning from more experienced designers. Vocational training in Lighting Design is available within drama schools but most Lighting Designers start without any formal training in the field of lighting design. The ability to work under pressure, including time constraints, achieving results thoroughly and quickly.Also being objective about whether a lighting state works within the context of the production. Working collaboratively and being open to the contribution of others.The ability to turn an idea, concept or mood into lighting.A good lighting design combines with all the other elements of a production - playwright, actors, director and designers - to help tell the story. This could be literal, by indicating time of day or location, marking the passage of time, or more abstractedly representing mood or atmosphere. They work closely with the director and designer to create a lighting design that’s integral to the overall look and feel of a production. A Lighting Designer is in charge of all the artistic decisions for the lighting of a production. ![]()
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